Main

Masterlink I DubDiggah – Est. Somewhere Between Dusty Tape & Fresh Coffee

Name’s DubDiggah, kid.
Been turning knobs since before half of y’all were even thought about.
I started in the 80s – back when gear hummed, tape hissed, and engineers had back pain before they hit 30.

I learned this craft the old-fashioned way:
by messing up, fixing it, and messing up again until the magic finally stuck.

I’ve ridden through every era:
cassette → vinyl → DAT → CD → mp3 → streaming → whatever you call this current chaos.
And through it all, one thing never changed:

Good sound is good sound.
Bullshit is still bullshit.

I’ve worked in rooms where you could smell the tubes warming up…
and in rooms where the only warm thing was the rapper’s breath on a $50 USB mic.
Doesn’t matter – if you bring heart, I bring fire.

Over the decades I’ve had the honor of shaping sound for legends:
Buju Banton, Vybz Kartel, Yellowman, Third World, Freddie McGregor, Barrington Levy, Dawn Penn, Culture, TOK, whole heaps more.
But don’t get it twisted –
I’m as indie-friendly as they come.
I treat the hungry kid with a dream the same way I treat the Grammy nominee.

Outside the reggae world?
Yeah, I’ve been there too.

I’ve scored strings, mixed brass sections, tuned choirs, wrangled big bands, and walked straight into Middle Eastern scales like they owed me rent.
Jazz, classical harmony, film scoring – I learned it all because music is one giant language,
and I never stopped studying.

These days you’ll find me in Masterlink Studio – my little temple of wires, faders, memories, and miracles.
I mix. I master. I build sound that lasts longer than hype.
Come as you are – nervous, broke, confident, confused –
Just bring your truth.

Everything else krieg´ ich hin.

High-end ears.
Old-soul guidance.
Real talk only.
Welcome to Masterlink.